British Literature 109A:  The Eighteenth-Century English Novel

http://ic.ucsc.edu/~coffman/ltbr109a

Cowell Clrm 131

TTh 8-9:45

Fall 2001

 

Professor Chris Coffman

coffman@cats.ucsc.edu

Office:  Cowell 217

Office Hours:

M 1:30—2:30

T Th 10-11

Office Phone:  831-459-

Message Phone:  831-459-2609

 

Course Description:

 

This course examines the “rise” of the English novel from the end of the seventeenth century through the eighteenth century.  What is the novel, and how is it distinct from other genres?  Out of what literary and historical conditions did it emerge? 

 

What cultural “work” is done by narrative generally, and the novel specifically?  What interests are served by different forms of narrative?  By different accounts of “the history of the novel”?  How do factors such as race, gender, and social class open up—or close down—narrative possibilities?  How are individual psyches and social spheres fashioned through travel?  Heterosexual romance?  Same-sex bonding?      

 

In class, we will spend a substantial amount of time closely examining individual passages from the assigned texts, while also setting them in their larger textual and cultural contexts.  In your papers, which do not require outside research, I similarly expect you to use textual detail to support a larger argument.

 

Course Policies:

 

Reading:

 

This course requires substantial reading—approximately 100 pages per class.  Ideally, I would like you to finish each text by the class we begin to discuss it.  At minimum, please complete the pages I have assigned in the syllabus.  If an emergency prevents you from completing the reading for a given class, please attend anyway and catch up as soon as possible.  

 

Attendance:

 

Prompt attendance at each class is required.  If you must miss class, please inform me as soon as possible and contact a classmate to find out what you missed.  (Illness, personal or family emergencies, and religious holidays are examples of excusable reasons for absence;  “I overslept,” “I had to study for my calculus midterm,” and “I’m leaving early for the weekend” are examples of unacceptable reasons.)

 

You are allowed two (2) unexcused absences, after which point absenteeism will be noted in your narrative evaluation and, if you are receiving a grade, one half grade level per excess absence will be deducted from Attendance and Participation (A&P).  Frequent and unexplained tardiness will also be noted in your narrative evaluation and also may lower the A&P portion of your grade.

 

Evaluation and Grading:

 

25% Paper 1 (5-6 pp., on Oroonoko or Gulliver’s Travels)

25% Paper 2 (5-6 pp., on Moll Flanders or Pamela)

35% Take-home final examination (cumulative).  You may elect to submit a 6-8 pp. paper in lieu of the final examination, so long as you clear your topic with me a week in advance and do not write on either of the texts you discussed in your earlier papers.

15% Attendance and Participation

 

You will need to submit Papers 1 and 2 both electronically to Turnitin.com and on paper to me in class.  As the due date for your first paper approaches, I will be distributing instructions for uploading your papers to Turnitin.com.

 

Both the electronic and hard copies of your papers must be typed in a font no larger than Times 12 and doublespaced, with pages numbered, margins no larger than one inch, and your name, LTBR 109A, the assignment number, and the date listed at the top on the first page.  The hard copy must be stapled (before class—I do not carry a stapler).  Late papers will not be accepted without my prior approval.  Under no circumstances may the final examination (or final paper) be handed in later than 11 AM on December 5.

 

I will distribute topics for the papers in advance.  You are also permitted to request approval for a topic of your own design by presenting it to me in writing.  However, I must approve your topic in writing or by e-mail at least one class session in advance of the due date.  Under no circumstances will I accept changes of topic any later than the class period before the due date, or a paper whose topic I have not approved.

 

To prevent the stress of last-minute computer or printer problems, I suggest that you not wait until the last minute to print your essays and upload them to Turnitin.com.  Also, bear in mind that the software installed on campus computers may differ from your own, and may change the format of your essay:  you may need time to make adjustments before printing.  You are also responsible for keeping a copy of each paper you turn in:  I am not responsible for lost papers.

 

Plagiarism:

 

While most people know that submitting papers written entirely by others constitutes plagiarism, many often do not understand that it also includes using others’ ideas and turns of phrase without appropriate documentation.  This includes the cutting and pasting of materials from the Internet!

 

Plagiarism also includes “illegitimate collaboration.”  One form of “illegitimate collaboration” is asking or hiring someone to rewrite drafts of your work.  If someone has read over your paper and given general advice about structure and grammar, but you have made the revisions, you do not need to credit them;  this is “legitimate collaboration.”  However, if discussions with others (roommates, friends, family members, etc.) help you to develop your ideas for your work—to form your paper’s content--you need to give them credit.  This may take the form of a note at the end of the paper that thanks specific individuals for general assistance, or a footnote at a specific point in the paper at which your friend’s assistance was valuable.  You should not hesitate to give credit where it is due:  it is common practice for scholars to credit those on whose ideas they build.   

 

Whether deliberate or unintended, plagiarism in any form diminishes the quality of your education and is a serious violation of academic integrity.  It is your responsibility as a student to understand and avoid plagiarism, and my role as a university professor to help you understand.  To that end, I have provided links on this course’s website to several excellent discussions of different forms of plagiarism.  Please review the online materials and feel free to approach me with any questions about them or your own work.

 

Cell phones, etc.:

 

Please turn off all cell phones, pagers, and other noisy devices before the beginning of class.  If your device makes noise during class, you will be asked to leave for the remainder of the period and will be considered absent.

 

Computers:

 

You will need to have Internet access and a personal e-mail account for this course, and should check e-mail daily:  I will be providing course materials online via e-mail and the course website, http://ic.ucsc.edu/~coffman/ltbr109a.  I have attached a list of computing facilities that are available for your use.  If you need to establish an e-mail account or UCSC internet access, please go to http://www.ic.ucsc.edu/students/index.shtml and follow the links provided to establish a CATS account.  If you experience problems reading messages I have sent to your UCSC address, please let me know.  However, I am not a techie;  you also should seek help from CATS. 

 

I design materials to open with a UCSC account, so be aware that if you choose to use another provider, you may experience problems.  In particular, those using a non-UCSC provider will need to use UCSC’s proxy server to access library materials linked from my site;  see http://library.ucsc.edu/access/proxy/ for more information.  Please speak to CATS, not me, about any problems with non-UCSC accounts.

 

Students with Disabilities:

 

If you have a disability and will be requesting accommodations, please let me know as soon as possible.  Also, please contact the Disability Resource Center by calling 9-2089 or e-mailing drc@cats.ucsc.edu.

 

Course Materials and Organization:

 

All texts with the exception of Shamela are available on campus at Bay Tree Books.  Shamela will be available on reserve at McHenry library. 

 

Th 9/20:           Introduction

 

T 9/25:             Aphra Behn, Oroonoko, 1688 (Norton).

 

Th 9/27:           Behn, cont.

 

T 10/2:             Jonathan Swift, Gulliver's Travels, 1726 (Penguin), pp. 37-117.

 

Th 10/4:           Swift, pp. 119-191.

 

T 10/9:             Swift, pp. 193-263.

                        **Paper Topics available**

 

Th 10/11:         Swift, pp. 265-346.

 

T 10/16:           Daniel Defoe, Moll Flanders, 1722 (Oxford), pp. 1-104 (Including the Preface).

 

Th 10/18:         Defoe, pp. 105-224.

Paper #1 due (5-6 pp.)

 

T 10/23:           Defoe, pp. 225-343.

 

Th 10/25:         Samuel Richardson, Pamela, 1740 (Penguin), pp. 7-99

 

T 10/30:           Richardson, pp. 99-184

 

Th 11/1:           Richardson, pp.184-278

 

T 11/6:             Richardson, pp. 278-380

                        **Paper Topics Available**

 

Th 11/8:           Richardson, pp. 380-516

 

T 11/13:           Fielding, Shamela, 1741 (Oxford, on reserve at McHenry Library)

 

Th 11/15:         Sterne, A Sentimental Journey, 1768 (Oxford), pp. 1-63

Paper Two due (5-6 pp.)

 

T 11/20:           Sterne, pp. 64-125

                       

Th 11/22:         No class—Happy Thanksgiving!

 

T 11/27:           Walpole, The Castle of Otranto, 1764 (Oxford)        

 

Th 11/29:         Last day of class

 

W 12/5:           Take-home final or final paper due at Cowell 217, 11 AM